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    History[ edit ] Silent era [ edit ] The history of cinema in Pakistan began in , when Abdur Rashid Kardar set up a studio and production company under the name of United Players Corporation later renamed Playart Phototone , which would become the foundation stone for the Lahore film industry. The dim-lit area presented with much difficulties and shootings were only possible in the day-light, but nevertheless the area had some very important landmarks like the Ravi Forest and the tombs of Mughal emperor Jahangir and his wife Noor Jahan. Kardar vowed on not acting in any other film and instead focusing on direction. This production proved equally appealing, but was able to stir noise about the Lahore film industry. Roop Lal Shori, who was a resident of Brandreth Road in Lahore , upon hearing of Lahore's growing film industry, returned to his hometown and produced Qismat Ke Haer Pher Life After Death in , which would firmly ground the film industry in Lahore. The following year, Eveready Pictures was established by J. Anand , which would go on to become the largest film production and distribution company in Pakistan. Independence and growth — [ edit ] Ahmed Rushdi , an award-winning playback singer In , after Pakistan was created out of India; Lahore became the hub of cinema in Pakistan. With hardships faced, the first Pakistani feature film, Teri Yaad released on 7 August , [13] premiering at the Parbhat Theatre in Lahore. Do Ansoo became the first film to attain a week viewing making it the first film to reach silver jubilee status. Recovery was evident with Noor Jehan 's directorial debut Chanwey releasing on 29 April Syed Faqir Ahmad Shah produced his first film with a heavy budget in "Nazrana " Saqlain Rizvi and Murtaza Jillani were directors, Syed Faqir Ahmad produced his second film " Jagga "in directed by his son Saqlain Rizvi, the film remained midioker in the cinema. As cinema viewership increased, Sassi released on 3 June by Eveready Pictures reached golden jubilee status staying on screens for weeks. Umar Marvi released on 12 March became the first Pakistani film made in the Sindhi language.

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    Mujarbat e Amliyat o tawizaat. It consists of 91 Pages. Name: aina e amliyat khazina e amliyat, Length: 1 pages, Page: 1,. Amliyat books Free download Collection by Habib Khan. Pdf , Text File. Auraad- o- Wazaif. Other factors such as VCRs and film piracy had a negative effect on the growth of the industry. It is considered the most popular film ever. The film industry by now was on the verge of collapse as people began turning away from cinema.

    The filmmakers that remained in the industry, employed flaccid story lines to produce Punjabi cult classics like Maula Jatt in , telling the story of a gandasa -carrying protagonist waging a blood-feud with a local gangster.

    Growing censorship policies against displays of affection, rather than violence, came as a blow to the industry. In Punjabi cinema Sultan Rahi and Anjuman became iconic figures of this culture. In Pashto cinema , filmmakers were able to get around the censor policies and filled their films with soft-core pornography to increase viewership.

    This was done by the backing by powerful politicians. In , legendary actor Waheed Murad died and was yet another blow to the cinema industry. This enthusiasm soon disappeared and not even Pakistan's first science fiction film, Shaani , in , [34] directed by Saeed Rizvi employing elaborate special effects, could save the industry. It received an award at the Moscow Film Festival [35] and even in Egypt and Korea, [35] but sadly was shelved in Pakistan.

    Of the several dozen studios across the country, only 11 were operational producing around films annually. This number would lower further as studios went towards producing short-plays and television commercials. Anjuman quit from playback signing, Sultan Rahi was murdered in , director Sangeeta put her career on hold to attended to family life while Nazrul Islam died. Objections were raised over the choice of actor Christopher Lee as the protagonist [37] depicting Muhammad Ali Jinnah and inclusion of Indian Shashi Kapoor as archangel Gabriel [38] in the cast combined with the experimental nature of the script.

    Haathi Meray Saathi produced and distributed by Eveready Pictures celebrated its Golden Jubilee bringing audience back to the cinema for 66 weeks. It was predicted that Pakistani cinema would have a revival.

    However, the public did not respond and low attendance at cinemas were recorded as the lower middle class shunned these films. The industry was pronounced dead by the start of the new millennium. By the early s "an industry that once produced an average of 80 films annually was now struggling to even churn out more than two films a year".

    Revival and resurgence [ edit ] By , young filmmakers in Karachi began experimenting with film and released low budget films to demonstrate that high quality content could be produced in Pakistan using limited resources.

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    With privatization of television stations in full swing, a new channel Filmazia began airing old Pakistani films as well as newer low budget productions. During this period Mahesh Bhatt , a celebrated Indian director, visited Pakistan looking for talent - particularly singers who could lend their voices to his upcoming films in India. Many film makers, producers, directors shifted to Karachi to avail new opportunities. In August , Shoaib Mansoor directed and released Khuda Ke Liye - it became a surprise instant success at the box office and brought the middle class back to the cinemas due to its controversial theme of addressing Pakistan's social problems.

    The film was also released internationally, including India, where it became the first Pakistani film released there after four decades. Despite optimism of a solid revival, progress continued to be slow. Alongside Geo Films , the "Pakistan New Cinema Movement" was launched in with around members which facilitated networking to stimulate newer film productions.

    However it was Shoaib Mansoor to the rescue again with this film Bol which brook box office records in Pakistan. However, as some commentators cautioned, declaring a film a 'hit' or a 'flop' is determined by the relationship of the budget spent and box office returns of a film and therefore several of the top-grossing films of Pakistan were technically not a 'hit'.

    By , several Pakistani films were theatrically released - the first time in over a decade. It led commentators to speculate whether it was time to announce the heralding of a 'new wave' [28] of Pakistani cinema.

    In March, Siyaah meaning Pitch black was the first horror thriller film to be released in Pakistan in over 20 years. The film was about a dissociative personality disorder patient who uses black magic against unsuspecting relatives.

    The film was a political drama exploring the subject of political corruption in Pakistan. Since the flower 'Chambaili' lily flower is the national flower of Pakistan, the film-makers' intentions were to encourage patriotism and nationalism in Pakistan.

    This was broken by release of Jawani Phir Nahi Ani. The Pakistani comedy thriller film was co-written and directed by Nabeel Qureshi as his directorial debut. Jalaibee meaning twist was a caper action thriller film [74] directed and written by Yasir Jaswal , [75] [76] produced by Eman Syed.

    The film was theatrically released ARY Films.

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